Performed in memory of John Cage on the 19th anniversary of his passing, Gradus: for Fux, Tesla, and Milo the Wrestler is Neal Meyer’s piano composition in perennial progress, his systematic attempt to learn to play the piano one piano key at a time. It is also, among other things, a grappling with many core musical ideas either originating or strongly associated with John Cage. Silence, unintended ambient sound, severe compositional constraints, “letting sounds be themselves,” and a militant and purposeful devotion — all these key elements of Gradus derive from Neal Meyer’s long engagement with Cage’s thought and music.
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